Ana de Armas doesn’t remember a time without Marilyn Monroe in her life.
As a young girl growing up in Cuba, de Armas watched Monroe’s films on television. “I didn’t know at that age that she was Marilyn Monroe,” the 34-year-old actress told EW. I realized that the beautiful woman I fell in love with when I was young was Monroe.
Now de Armas plays a legend. More precisely, she plays Norma Jean Mortenson, the real-life woman behind her alter-ego Marilyn Monroe, in the Netflix movie. blonde. The film is out in theaters now (coming to Netflix on September 28), but has sparked controversy amid polarized opinion since the project’s first whispers. pour oil on the flame: blonde is based on the novel by iconoclastic author Joyce Carol Oates, rather than a conventional non-fiction biopic.
At this point, de Armas moves away from criticism of her interpretation of Marilyn’s voice (sometimes with hints of her Cuban accent) to the point that the film portrays a woman being exploited for her voluptuous figure. I’ve heard everything from reviews interrogating that they are continuously exploiting. .
De Armas is topless for a good portion of the film’s roughly three-hour run, and her Marilyn suffers numerous insults. Fox included a rape by her studio head Darryl F. Zanuck, a forced abortion (completed with a camera filmed from inside her body), and more. Vagina), unflinchingly portraying Monroe giving President John F. Kennedy a blowjob in extreme close-up.
These are very big demands of an actress, requiring a level of vulnerability and exposure that is almost unsolicited. But de Armas insisted the only way out was through. Unlike the film version of Monroe, she felt in complete control of each of those scenes.
“It’s hard for people to see [those scenes] I knew what I was doing and felt very protected and safe,” says de Armas. I made that decision. I knew what movies I was doing. I trusted my director. I felt like I was in a safe environment. We had hundreds of conversations about these scenes. Everyone had a deep respect for the movie we were making. Even though it was a really tough scene, I didn’t feel uncomfortable at all. ”
The fellatio scene in particular is likely to raise some eyebrows – it already earned the film a rare NC-17 rating – but de Armas is skeptical about how they are all working on the Monroe story they’re telling. For her, it was essential to conveying the message she and writer-director Andrew Dominick were trying to give audiences: a sense of sad dislocation. I just shot it twice,” she recalls. “We always had a close coordinator and she was very helpful. But I can’t say that these scenes are any more difficult than any others. It’s just part of the overall story.” I knew exactly what I could see and what I couldn’t see, so it felt right.”
Matt Kennedy/Netflix “Blonde” depicts the life of Marilyn Monroe as a maniacal dream.
In addition to the more explicit aspects of the film, de Armas was tasked with both creating a credible version of Hollywood star Monroe and stripping her of her essence as Norma Jean. She spent her nine months studying, watching movies, working with a dialect coach, and talking to Dominique about her version of the blonde bombshell.
one thing blonde I won’t go into how much Monroe profited from using that fabricated image for herself. Instead, the film foregrounds an actor trapped in a self-made vise. “People have ignored the women under the characters,” recalls de Armas. “This character was created and Norma Jean was completely trapped within her.”
Certain directorial notes from Dominic helped de Armas get through the ordeal. “Andrew told me I had to pick one moment in the film where I could show anger and anger.” No. She couldn’t afford it — it wasn’t in my survival kit. It is.”
netflix Ana de Armas in “Blonde”.
“Something clicked that I understood. If you can’t do that, it’s very healthy to be angry and repulsive… yourself,” she adds. “It was a moment of understanding how damaging and how difficult it must have been for someone to live a life like that, under all that pressure and expectations, and without any defense mechanisms.”
The inner workings of Monroe were not what attracted de Armas, not the idea of creating a replica of the movie star, but opportunities abounded. Created a production bible of about 700 images of Monroe that de Armas recreated for the film.)
“Her voice changes a lot over the years,” points out de Armas. “She used to stutter and be anxious. It sounds completely different when you look at it and I really wanted it.’ . The recreated voice, but the voice we’re used to is the one on screen. I’ve heard a lot of voices that aren’t. She has a harsher voice — she laughs in a different way. “
“She wasn’t Marilyn, so she was more relaxed,” says de Armas. “I really wanted to respect that. There are many different qualities in someone’s voice, and trying to imitate Marilyn’s voice in a movie that’s primarily about Norma Jean puts a limit on it. Imitate something.” please.”
netflix Ana de Armas as Marilyn Monroe in ‘Blonde’
Much has already been written about the film and De Armas’ performance in it, but what she says she wants to set the record straight is that she was “haunted” by Monroe. here is report.
The actor says it was simply the feeling of Monroe’s presence. “We went into her space,” she says. “We’ve been to her apartment, we’ve driven her car, we’ve been to her house. She’s everywhere in Los Angeles. You go to a restaurant and there’s Marilyn’s table. She’s everywhere.” I can’t help but feel something big with you. [in those moments].”
De Armas says he decided to give her every ounce of himself blonde A performance that strives for something true. “That openness goes to everything,” she says. “You are open not only to giving, but also to receiving and perceiving.”
When talking about Marilyn Monroe (which De Armas has done a lot of), she can easily talk about her own high-wire act and the scrutiny it has received.
“It’s unfair to put everyone in icon status,” says de Armas. “People are intolerant of things because you should be perfect and you embody the ideals that people want to be. That story is very hard to change.”